FUJIFILM GFX ETERNA 55 Cinema Camera

FUJIFILM brings its vaunted photographic history to a video-centric form with the FUJIFILM GFX ETERNA 55 Cinema Camera. Built around a new large-format sensor that covers Open Gate and a range of additional formats, the GFX ETERNA 55's array of features is designed for exceptional video capture and seamless integration with FUJIFILM G lenses.

Key Features of the FUJIFILM GFX ETERNA 55 Cinema Camera

• Large-Format 8K Sensor, Variable ND
• 4K48 4:3 Open Gate, 6.3K24 Super 35
• 14.5-Stop Dynamic Range, Dual-Native ISO
• Internal ProRes 422 HQ, H.265, Proxies
• Ext HDMI 10-Bit Uncompressed, 12-Bit Raw
• 5" 16:9, 3" 3:2 Touchscreen LCD Screens
• 20 Film Simulations, F-Log2/C 3D LUTs
• FUJIFILM G and ARRI PL Lens Mounts
• Ethernet, BLE with TG-BT1/ATOMOS AirGlu
• CFexpress and SD Card Slots, USB-C Port

Native 4:3 Aspect Ratio

Dubbed the GFX ETERNA "55" in a nod to its diagonal sensor size, this camera incorporates one of the tallest sensors currently on the market. Its native 4:3 aspect ratio provides creators with a canvas that is 1.75x greater than 4-perf Super 35.

Five Main Formats

The GFX ETERNA 55 offers five main formats that are paired to specific lens categories:

• GF and Premista, for use with FUJIFILM lenses.
• 35mm, anamorphic (35mm), and Super 35, for use with a range of lenses from multiple brands.
• Each of these five formats has multiple resolution selections, further expanding your capture options.

Video Formats/Resolutions

The GFX ETERNA 55 expands the GFX100 II's video recording choices with new Open Gate, Super 35, and 2.39:1 anamorphic options using a large 43.8 x 32.9mm sensor.

• Open Gate is available in 3.8K 4:3 at rates up to 48 fps.
• Super 35 options include 6.3K24 in 16:9, DCI 4K30/UHD 4K30 in 17:9 and 16:9, and up to 1080p60 in 17:9 and 16:9.
• Anamorphic 2.39:1 is available in Cine 5.8K up to 30 fps, Super 35 8K24 in 2.39:1, and Super 35 4K24 in 1.2:1.

Anamorphic Ready

The GFX ETERNA's large 4:3 sensor is ready for you to combine with anamorphic lenses, and the camera provides real-time anamorphic de-squeezing for on-set monitoring.

Recording Codecs

Take full advantage of the GFX ETERNA 55's large sensor and internally record video in Apple ProRes 422/HQ/LT, 4:2:2, 10-bit HEVC/H.265, or H.264 or ProRes proxies. Use the HDMI output for external 4:2:2 10-bit uncompressed or 12-bit raw recording.

Custom Frame Guides

Users can create custom frame guides right from the viewfinder with up to three saved for quick access. Aspect ratios range include 1:1, 3:2, 4:3, 5:4, 16:9, 17:9, 2.39:1, and custom. Customizable functions include 1-100% scaling, four line widths, and five color options.

FUJIFILM G and ARRI PL Mounts

The native FUJIFILM G-mount ETERNA 55 camera is compatible with existing G-mount lenses and the new power-zoom G 32-90mm lens, which is optimized for this camera and features autofocus and auto iris functions, as well as geared focus, iris, and zoom rings. The included ARRI PL-mount adapter provides compatibility with an array of cine-style lenses and Cooke /i lens data where available.

Variable ND Filter

The built-in variable electronic ND filter lets you adjust your exposure without stopping down or opening up on your lens, ideal for bright exteriors, slow shutter effects, and shallow depth-of-field looks. This dial-control filter varies from ND 0.6 to ND 2.1, providing a range of two to seven stops in visually stepless .015 increments.

Low-Pass Filter

New to the GFX line, the included OLPF (optical low-pass filter) helps to reduce color anomalies and moiré effects, especially helpful when shooting with LED wall backgrounds.

20 Film Simulations

GFX ETERNA 55 users have access to 20 FUJIFILM film stock simulations, letting you recreate your favorite cinema looks.

• PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, REALA ACE
• PRO Neg. Hi and Std., Classic Neg., Nostalgic Neg., ETERNA/Cinema
• ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, + R Filter, + G Filter